Interviews get a boom and a lav, not a camera mic ‘for safety’. Safety is a second recorder, not a worse microphone.
Wild tracks and room tone are shot even when the day is stills-heavy. A future cutdown will need them.
Music is licensed for the territories in the contract. A temp track that cannot be bought is not a creative direction; it is a trap.
Mix happens with picture, on speakers that resemble the client’s world , a laptop and a television, not only a suite.
We deliver stems when versions will be recut. A printed mix alone is how a six-month-later social cut sounds like a different film.
Promercure Works is on Rue Paradis, a ground-floor room with a deep shade and a back yard. The book is food producers, stone yards and the boats that supply the market. Mornings are for the market and the port. Afternoons are tabletop in the yard, under a silk, when the street is too bright to be useful.