1
Shade
We pick the side of the street that is already dark.
The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.
We pick the side of the street that is already dark.
Market and port before the sun clears the roofs.
Tabletop under a silk once the street is useless.
Colour locked on the food, not on the sea.
Stills for the crate, a cut for the buyer.